Hopslam Hype: A Look Into Beer Economics

2009

2010

2011

This is not a boast, but for the past three years, I have purchased two cases of the heavily sought after Hopslam. The pictures from 2009 and 2010 may only show a single case, but I promise that there were two cases in my home at the time I took those photos. The only way I am able to guarantee that I get what I want, in respect to Hopslam, when this product is in such high demand and is limited in releases- well, you don’t deserve that information!

However, I don’t aim to gloat. That is not the nature of this writing. In fact, if you were unlucky and unable to secure even a single bottle, contact me and I will see what I can do. I made a call to Stone Brewery today and spoke directly to Greg Koch, the founder of Stone Brewery. Their IPA has been and will remain my favorite beer for all-time. My reason for calling him was to thank him for never inflating his prices, creating a high demand, and producing a craft ale that finds its way to the shelves of the Pennsylvania beer distributors. I thanked him for not being anything like Bell’s and for all his delicious beverages.

Bell’s Brewery produces a genuinely unique product, known as Hopslam. It is released in the early part of January. They manufacture approximately 4,000 barrels, which equates to 55,000 cases of beer. These few cases have to be distributed amongst the fewer than twenty states to which they deliver. These deliveries are not only to beer distributors, but to delis, bars, and anywhere beer is sold. Unlike Stone Brewery, they create a large demand by manufacturing a decent product, in miniscule quantity, releasing it once a year. This is where the hype begins. This is a beer I enjoy very much, but has been called by close friends “grapefruit and cat-piss combined in a bottle.” Aside from their perspective, I think it has an aromatic and unrivaled appeal. But why would you make something so great in such small quantities? Simply put- to inflate the price and create a hype that otherwise was nonexistent in the beer world(you don’t see people camping out in front of distributers for Budweiser, Miller, or Busch). As not to be biased, other craft breweries have been known to perform this same type of thing, but not to the extreme extent that Bell’s does.

By manufacturing the smallest volume of product imaginable, and distributing it to such a wide market, they create an unnecessary hype. If you need proof, please consult eBay, where you’ll find cases ranging around $300, and six-packs around $60. This diatribe is a work in progress, but I wish to end this as such- Greg, thank you for making Stone available to the public all year long. It is just as special every time I open a bottle from a newly purchased case. Your product never gets old, and I can’t imagine a world in which Stone Brewery operated in the way Bell’s does where Hopslam is concerned.

Not end of line.

-T

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Stefani Germanotta

Enjoy:)

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Hip Hop – A Disposable Culture: Part I

The vitality of Hip Hop music is not what I’m calling into question. To the left is shown a negative advertisement. Moreover, what I am calling into question is the survival of rap music from generations past. Allow me to outline a draft of the most popular Hip-Hop artists of the nineties, according to Billboard. In the nineties, the following were on the lips of MTV VJs and radio station disc jockeys:

1. Ice-T
2. NWA
3. Ice Cube
4. 2Pac
5. Naughty by Nature
6. Geto Boys
7. A Tribe Called Quest
8. Dr. Dre
9. Public Enemy
10. Three 6 Mafia
11. DJ Quik
12. Redman
13. Jay-Z
14. Scarface
15. Digital Underground
16. Heavy D & The Boyz
17. Wu-Tang Clan
18. Snoop Dogg
19. Gang Starr
20. Das EFX
21. Onyx
22. Coolio
23. The Notorious B.I.G.
24. Mobb Deep
25. Common
26. Nas
27. Sicx
28. Brutha Lynch Hung
29. X-Raided
30. Big Mike
31. Eazy-E
32. Mac Mall
33. OutKast
34. Busta Rhymes
35. Mystikal
36. Warren G
37. Cypress Hill
38. Black Sheep
39. Raekwon
40. Method Man
41. Ghostface Killah
42. Ol’ Dirty Bastard
43. 2 Live Crew
44. KRS-One
45. Big Daddy Kane
46. DMX
47. Canibus

As of this writing, most of the aforementioned have failed to release any new material, moved on to other occupations- such as acting, have declared bankruptcy, been murdered or declared members of a dead artform. Quite simply, most of them are filed in the “where are they now category.” Whereas other genres of music, there remain a network in most cities, which broadcast classic music of said genre, this is unheard of in Hip Hop. So, does that imply that Hip Hop has an incredibly short lifespan? It would be unfair to compare anyone of any genre to The Beatles, but the question holds merit: does Hip Hop have their own comparative to  The Beatles? Is this a timeless form of music, which deserves the deepest care and preservation, or a dying star and the epoch of bygone era?

Why does there exist eighteen principles outlined in The HipHop Declaration of Peace? Quite simply, because although there are other forms of music with extremely violent lyrics, and outrageous cover art, the others aren’t declaring war with each other in their lyrics and in their interviews. These questions and hypothesis demand a response from someone extremely knowledgeable in the history of Hip Hop, as well as an objective opinion. Take note that The Beatles were mentioned, but nowhere is any other genre directly compared to Hip Hop. To this end, I remain neutral and without bias and wonder what happened to all of the names in the list.

So, I received an answer to my question by an authority on this matter, who regularly checks his facts and is indeed an historian in the area of Hip Hop. The following is what he has to offer as a brief clarification of many of the questions posed throughout the article:

There’s a few different ways to reply to this post, most lengthy but I’ll try to make a few points and be brief at the same time.

“So, does that imply that Hip Hop has an incredibly short lifespan?”
The short answer? Yes. BUT it’s more complicated than that. On the surface, Hip Hop (used strictly as a genre of music here, not the broader subject of Hip Hop culture) does have a very short life span. Radio and the various music tv channels play a song/video when it’s new, maybe a 2 to 4 month span. After that it will sit in a purgatory of sorts until it can reach a designation of “old school”, then it could be appropriately brought back on the various “Old School Lunch Hour” programs on our “urban” radio stations. How long until a song is considered old school depends on the overall popularity of a song, the more popular a song is, the faster it seems to become old school and acceptable to play as a “throwback”.

“Does Hip Hop have their own comparative to The Beatles?”
I guess, begrudgingly, we could call Jay-Z “The Beatles of Hip Hop” in that his music is most universally accepted by the various subcultures of Hip Hop, he’s had the most commercial success (with Eminem basically neck in neck), and with his music seeming to achieve that throwback/old school acceptance almost instantly as it’s acceptable to play any song from his discography at any time garnering him almost constant airplay. Do I think in 40 years that radio will still play Jay-Z music? Yes, I do.

“Is this a timeless form of music, which deserves the deepest care and preservation, or a dying star and the epoch of bygone era?”
Definitely a timeless form of music, as should be all music. Every genre of music has evolved greatly. The rock of today sounds nothing like Little Richie. Should it? Of course not. Since music was created, I dare to say that no genre has ever been created. It’s all evolved from a previous form of music. The process continues and will do so as long as there are people to make it. It’s up to us to go back and remind ourselves of the the roots we came from, all the while blazing new trails musically.

“Why does there exist eighteen principles outlined in The HipHop Declaration of Peace?”
Now, that’s moving from a musical question to a cultural one and to answer that I need to expound on the mindset and culture from where Hip Hop has risen.
Think urban desolation for a moment. Let your mind sit there. Think of the inner city and the mindset of it. “I am nothing unless I’m the baddest, toughest, most ruthless person on my block. If I don’t seem strong and dangerous, I will be taken advantage of, robbed or killed. The government doesn’t care what happens to me and my family, There isn’t a job in miles to be found so what can I do? Sell drugs, protect myself, and find a way to live like a king, all on my own terms.”

I’m not saying that is the truth of the matter, but that’s the prevalent mentality. So how do we escape this cycle of drugs, sex and violence? We make music about the drugs, sex and violence. And in a culture that either glorifies or accepts this lifestyle, we must live the way we portray ourselves in this music. Hence you find something such as the eighteen principles, trying to counteract this mindset.

Like I’ve already mentioned most terrestrial radio has an “old school hour” of some sort to find those artists mentioned, but also on digital radio, satellite and online radio you can find whole stations dedicated to old school.

To be concluded…

-T

(Update) This reader comment was so useful, that it was only common sense to insert it into this very article as an addendum:

Out of that list of artists, I have listened to and/or still listen to at least eight of them. I’m glad you listed Ice Cube and Eazy-E separately as they are an entirely different beast outside of NWA. When I was in grade school I was a pretty big rap fan then once I hit the 6th grade Black Sabbath ended that real quick. Afterward I had completely written rap off as BS up until recently, I guess about a year or so ago, when I became a fan of Eminem. Of course, over the years, I’ve always kept NWA in my iTunes collection. I’ll always be a fan of them, particularly of Eazy-E.

So when I finally discovered Eminem after the rest of the population had ten years prior, I had this almost instant respect for him. Not for a performer or whatever but his ability to write. His lyrics are convincing and he can tell a story like no other. My problem with rap isn’t even the violence or whatever. Some music I listen to, such as Marilyn Manson, often promote violence whether its intentional or not.

Now… with that out of the way… Out of the rap or hip hop I’ve listened to in my lifetime thus far, none of it has ever touched me emotionally, with the exception of a few Eminem songs. And even with that, those songs never emotionally clicked with me like say Pink Floyd’s Time or David Bowie’s Five Years or Van Halen’s Eruption to name a few, those songs, among others have this emotional attachment to me that I never could find with rap. Obviously this, like a Top 10 list you’d see in my site, is more subjective maybe.

Then there are live performances. I think in a lot of categories rock has rap beat. Rock may not have certain background stuff that’s as rich as rap but whatever. Again, this is me and the next person may feel the complete opposite that I do. That’s why blog discussions are great! On the same hand, rap can touch someone that’s been through a certain life whereas a band such as Pink Floyd can touch not only someone who a song may directly speak to but an entire group of people. Case in point; Time which is basically the inevitability of death. But we can breakdown lyrics in Part II!

Posted in Epic Fail, Journal, Music, Rant | 4 Comments

SOPA PIPA Etta James and Mega Upload: They Are All Dead

Recently, I was reading a professional blogger’s opinion about web traffic. Some part of me wants this site to grow. I make every attempt to keep the language clean, remain value-free and unbiased. When writing, I strive to keep the content intriguing, and the topics filled with factual information. Sometimes I don’t live up to these principles to the best of my abilities. One point mentioned by said blogger was to refrain from discussing current events. This is where he and I differ.

Wednesday was an epic and monumental occasion for the world, and more specifically the U.S. users of the internet. My site receives an amazing amount of traffic, but on Wednesday, the 18th, it received zero hits- my site joined the fight and went dark. Through flooding phone calls, overflowing emails, and countless petitions, the servers were crippled with our digital opinions, as a democracy, to stop an injustice. SOPA and PIPA are not meant to benefit the internet, and they have little to do with piracy, though it appears in the title. So, where do I stand with Mega Upload? Mega Upload was a huge treasure trove of music, movies, games, applications, etc. If the proposed bills were actually targeting internet piracy, then that was one source to pull the trigger and fire upon. But what went wrong?

The aftermath, orchestrated by Anonymous, portrays us as one of two types: crazy, vindictive, thieving, law-breaking, site-defacing pirates. The other portrait is of a community of individuals ready to fight for what they believe in. I believe in getting paid for my work, and can’t imagine my music ending up being given away for free. But in the same breath, I can’t imagine not giving it away for free at the cost of publicity, recognition, notoriety and career advancement. In short, I am on the fence with a touch of indifference where Mega Upload is concerned. However, SOPA/PIPA have no place and should be vetoed effective immediately. Guess what? They were*.

End of line.

-T

*Just minutes ago SOPA/PIPA were being pulled. We won! The internet is ours.

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UltraViolet – Digitalblasphemy

Apple had the right idea with iTunes all along, where digital media is concerned- unlock and download said media to your computer, thus allowing sharing among all authorized devices. Apple isn’t the only company to understand this. But as the multitude of digital media manufacturers unify to make the above process easy and useful, some companies will ultimately fail. Today’s attack goes out to the cloud-based system known as Ultraviolet.

What this Flixter-run piece of shit has done is taken the true digital away from the consumer and replaced it with a digital proof-of-purchase. This shitheap is apparently the brainchild of media fuckups DECE(Digital Entertainment Content Ecosystem). Let’s discuss how this works. You buy a digital copy with a movie like Soderbergh’s film, Contagion. The consumer redeems this proof-of-purchase and is able to watch the movie on iOS devices, using Flixter’s interface. However, if you don’t have access to a strong signal, you won’t receive HD-grade streaming. Most of the time the streaming is choppy anyway. What if you don’t any signal at all, like when you’re on a flight? If that is the case, you can’t watch your digital copy.

The best thing any consumer can do, especially in instances where you have received substandard products, is to return the product and inform the offending company that you will boycott them and refuse future purchases unless they change their practices and or technologies. Most complacent consumers have more important things to do with their time, which is why yesterday’s protest didn’t have the impact it should have had (over 160 million Wikipedia views and only 8 million people took action). So, while you sheep are waiting to wake-up, this angry asshole will not accept UltraViolet as a viable choice for digital media copies, especially when we never own the copies.

End of line.

-T

Posted in Epic Fail, Journal, Rant, Technology | 2 Comments

Taylor Momsen – Making Miley Cyrus Look Good

What the fuck happened to Taylor Momsen? I spent the holidays watching her play Cindy Lou Who along-side Jim Carey. Now she is skanking it up every chance she gets. It doesn’t matter that she was only six when she filmed Ron Howard’s motion picture, and spare me now with any rabble about “coming of age.” This girl is quite simply an attention whore with a mediocre voice. She reminds me that we all have the ability to be famous. For fuck sake- look at her!

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STOP SOPA/PIPA

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Jenna Marbles: Funny And Hot

Jenna may not have a sex tape, but she doesn’t mind showing off her shit.

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You Get What You Deserve

Reprinted because I hate him, and I’m sorry that he wasn’t officially charged with Natalie’s death as well.

Joran van der Sloot was sentenced today to 28 years in a Peruvian prison for strangling a woman there, and American officials are now expected to bring him to Alabama to face charges in connection with the disappearance of American teenager Natalee Holloway.

The attorney for Holloway’s mother, John Q. Kelly, said after today’s sentencing that he hopes van der Sloot will be extradited to the U.S. within “a couple of months.”

Van der Sloot is charged with extorting $25,000 from Holloway’s grieving mother Beth Holloway in exchange for information about the location of Natalee’s body. After receving the money, van der Sloot admitted lying about where the girl’s body was buried.

“We anticipate that U.S. authorities will move quickly to bring him to Alabama to face pending federal charges and to answer for his past conduct in Aruba,” Kelly had said prior to the sentencing.

The U.S. District Attorney in Birmingham, where the case against van der Sloot will be prosecuted, did not immediately return calls for comment. They had previously told ABC News that they had made arrangements with Interpol to have van der Sloot extradited to the U.S.

Any sentence he might receive in the U.S. would be served in conjunction with the 28 years he was sentenced in Peru, Kelly said.

Van der Sloot, 24, looked slovenly and confused during his long court sentencing in a Lima courtroom today and was visibly angry when the judge ordered him to spend the next 28 years in prison. He appeared to be cursing out loud. The court also ordered him to pay $75,000 in reparations.

Under Peru’s laws, however, van der Sloot could get out after serving half of his sentence.

The Dutch national let his anger show again when at the end of the judge’s ruling.

Van der Sloot pleaded guilty Wednesday to strangling Stephany Flores, a 21-year-old Peruvian businesswoman whom he killed on May 31, 2010, exactly five years after Holloway disappeared.

Flores, the 21-year-old daughter of a wealthy and influential Peruvian businessman and former star race car driver, was found strangled in van der Sloot’s hotel room in 2010. The two had reportedly met at a Lima casino.

Van der Sloot’s lawyer told the court earlier in the hearing that his client had killed Flores beacuse of the psychological trauma of being accused in the Holloway case.

“Yes, I want to plead guilty. I wanted from the first moment to confess sincerely,” van der Sloot said Wednesday in court. “I truly am sorry for this act. I feel very bad.”

Prosecutors had asked for a 30 year sentence for first-degree murder and theft in Flores’ case.

Van der Sloot, who lived in Aruba, fled Peru, but was arrested three days later in Chile.

He reportedly claimed in a confession shortly after the slaying that he’d killed Flores because she found information linking him to Holloway on his computer.

Van der Sloot had twice been arrested for the disappearance of Holloway, a 19-year-old from Alabama who vanished during a celebratory trip to Aruba with her senior class in May 2005.

Van der Sloot maintained that he’d left her on a beach, drunk. That’s the last anyone has seen of her.

His last victim...Rot in hell you piece of dogshit.

End of line.

-T

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The Construct of Crazy

Since you can’t take physical possessions with you when you’re dead, why does a person, such as myself, fret over the damage and imperfections of said possessions? It is all too common: I buy something, someone other than myself puts a scratch on it, and then I can’t bear to look at it. This has happened with glasses, guitars, computers, cameras and my TV.

It’s sad and neurotic, this attachment to perfection when nothing remains perfect forever. Even preserved to the highest standards, something internal will fail in time. This inevitable fact alone should cause me to reevaluate my false logic- that is to say that a neurosis holds any inherent logic. Nothing lasts forever. So, why do I pretend that I can make them last forever?

End of line.

-T

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